Relic point Vietnam

Bac Ninh

Danh mountain relic area

The story of Mount Danh (Lien Chung and Viet Lap communes, Tan Yen district, Bac Giang province) with the product of King-Southern ginseng passed down among the people for many generations inspired me to find this relic. From Bac Giang City, there are many roads to reach Mount Danh, but I chose to follow Highway 17 and then turn onto the Viet Lap-Lien Chung commune road. It's winter so both sides of the road are green with corn, sweet potatoes and many other vegetables. Going about 5km from the turn, the Danh Mountain Cultural and Historical Relic Area appeared before my eyes. Mount Danh is located not far from the romantic Thuong River, has the highest peak about 117 m above sea level and is the second largest mountain range of Tan Yen district after Dot Mountain (Phuc Son commune). This place has a beautiful natural landscape with a pine forest about 50 years old. Many people who come to Mount Danh have the same comment as being in the pine forest of Da Lat City (Lam Dong). Mr. Hoang Tien Dung in Muong Than commune, Than Yen district (Lai Chau province) said: "I have known about Mount Dang through the Internet for a long time, but now I have the opportunity to visit. Indeed, the scenery here is very beautiful, the air is fresh, and sitting and listening to the pine trees is very romantic. If I have the opportunity, I will invite relatives and friends to come here to play." The road up to Mount Den is built with brick steps with a total of 345 gentle steps. Right at the foot of the mountain is the Elephant Noi well, about 2m deep, with a surrounding bank. Local people say the well water is always clear and never dries up. Located on Danh mountain is Danh temple, a cultural and religious project of the local people. The Temple complex consists of 3 temples: Trinh Temple (at the foot of the mountain), Thuong Temple (on the top of the mountain) and Ha Temple (midway up the mountain). Den Temple worships the gods Cao Son and Quy Minh. When they were alive, they were talented generals, but later became sacred deities, becoming saints and talismans, helping people eliminate disasters and disasters, and were worshiped by people for many generations. No one knows exactly when the Temple was built, but based on documents and relics such as stone pillars, ancient incense bowls, sacrificial offerings, and altars still kept in the temple..., this project Built during the Le Dynasty in the 18th century. Through many ups and downs of history, especially during the resistance war against the French, the temple was much destroyed and no longer intact as before. However, the people here have restored and renovated many times, the temple has become more spacious and beautiful but still retains many ancient and unique features. In particular, the current Denh temple was rebuilt by the local party committee, authorities and people in 2017 on a larger scale but still lies on the foundation of the ancient temple in a gong-shaped architectural style, including The 3-compartment hall is connected to the 2-compartment harem court by a strip of waterpipe. During the resistance war against the French colonialists who invaded our country, Danh temple and Danh mountain were the advance stations for our soldiers to ambush and protect the free zone. Also here, on April 13, 1950, two guerrilla soldiers, Nguyen Ba Giai and Nguyen Dinh Khai, heroically sacrificed their lives while on guard duty to guard the front lines. Coming to the Danh Mountain Relic Area, visitors will not only be able to admire the vast and majestic landscape but also hear stories passed down in folklore about the Southern King-Samseng products of the people here. In the past, the Dinh mountain area had the famous Bao Loc Son festival throughout the region. In the early 19th century, Bao Loc Son was a canton in Yen The district, Lang Giang prefecture, including 4 communes: Bao Loc Son, Trung Son, Tuong Son and Kim Trang. The annual Bao Loc Son Festival is held on January 16 and 17, centered at the Um Ngo communal house relic complex, Viet Lap commune. This festival is the festival of four communal houses, also known as four families, typical of the families: Than, Giap Nguyen and Dong... in 4 villages: Kim Trang, Khoat, Nguyen and Um Ngo. These 4 villages have 4 communal houses, worshiping 4 Thanh Hoang. After the villages of Nguyen, Kim Trang, Khoat hold festivals, the palanquin procession goes to Um Ngo communal house to hold the festival on January 16 and 17, and from there, the palanquin procession goes to Nghe Ca on top of Dinh mountain for the opening ceremony of the year. . Four village festivals come together to form the Bao Loc Son festival. The festival includes games such as tree swinging, cockfighting, wrestling, kite flying... Wishes for good weather and wind, and prosperity for the people. Bao Loc Son festival was first restored in 1996. In 2019, Viet Lap Commune People's Committee continued to organize the restoration of Bao Loc Son festival. SOURCE BAC GIANG DEPARTMENT OF CULTURE, SPORTS AND TOURISM CENTER FOR INFORMATION - TOURISM PROMOTION

Bac Ninh 1762 view

Rating : National monument Open door

MY DIEN Pagoda

In My Dien neighborhood, Nenh town, Viet Yen district, an ancient pagoda called Thanh Minh pagoda is still preserved. Perhaps this is a unique ancient pagoda rarely seen in Bac Giang. The pagoda was built during the Ly Dynasty and has been repaired many times. The artifacts at the pagoda are proof that the ancient temple was built a long time ago. It is a green stone staircase created in the shape of a dragon in the style of the Ly Dynasty (11th - 12th centuries) placed in front of the pagoda door. The dragon has a head with a flaming crest, a nose and a mane that are very vividly structured with natural lines. The crest takes the entire upper lip and blends with the fangs in the shape of a flying cloud. The mane radiates from the nape of the neck towards the back. The dragon's beard is as soft as a wave moving forward. The dragon's nose is stacked curves creating the impression of a water source, the mouth is bared to reveal two rows of teeth holding pearls. The dragon's whiskers and crest point forward, creating an image resembling a Bodhi leaf. In a soft, natural posture like flying, the dragon has 11 segments, the segments are evenly spaced and winding, the dragon has 4 legs and 3 small claws. Many researchers believe that this is a dragon created on the doorstep of ancient My Dien Pagoda. Accordingly, there will be 2 stone dragons on the steps of the temple door, but unfortunately only one remains. Also according to cultural researchers, the dragon of the Ly Dynasty has a close relationship with Buddhism, it is associated with Buddhist images such as Buddha, lotus, lotus leaf... which is confirmed during the Ly Dynasty. , My Dien land was the place of development and prosperity of Dai Viet Buddhism. My Dien Pagoda is located behind the communal house according to the architectural structure of "before the Gods, then after the Buddha", the communal house in front of the pagoda after creating a complex of ancient continuous relics. After many renovations, the pagoda still retains construction items such as: Three entrance gates, 5-compartment Patriarch's house, 3-compartment guest house and Tam Bao temple. The temple grounds are filled with shady green trees. In the middle of the pagoda yard, there is still a stone stele of the Le Dynasty, the 8th year of Vinh Thinh (1713), recording the merits of creating the stone stele and casting the temple bell. Through the temple grounds to the Tam Bao building, this building has 5 front halls connecting 3 upper halls, creating a nail-style architectural plan. The architectural structure of the inner roofs is in the form of stacks of cones, gong stands, seated lines, and architectural structures carved with floral and leaf shapes that have artistic value. The upper palace is fully decorated with a system of Buddha statues. Statues in the style of the Le and Nguyen dynasties have historical and artistic value. In addition to the above valuable artifacts, My Dien Pagoda also preserves many documents and artifacts that are valuable for researching typical cultural and artistic history such as incense bowls, stone stele, horizontal system, parallel sentences... This is There are scientific grounds to confirm that under the Ly Dynasty, My Dien Pagoda was a Buddhist center with a large scale, quite complete and dignified architecture. My Dien Pagoda is the center of cultural and religious activities, where traditional festivals of the people have been held from past to present. The village's festival takes place on the 1st day of the second lunar month with many rituals and folk games imbued with national cultural identity to thank God and Buddha for a prosperous and happy life. With unique historical and cultural value, My Dien Pagoda was ranked as a provincial cultural and historical relic in 2004. Although it is a bustling industrial development place, My Dien today still preserves many cultural heritages of the nation. Religious and belief works such as My Dien Communal House, Nghe An, Ngo Dat Dung District's mausoleum, Nguyen Doc Thuc's mausoleum, King Ba temple... have a lot of potential to develop the local tourism economy. In particular, Thanh Minh Pagoda in the heart of the neighborhood has been an attractive address for tourists to worship Buddha. SOURCE: BAC GIANG DEPARTMENT OF CULTURE, SPORTS AND TOURISM CENTER FOR INFORMATION - TOURISM PROMOTION

Bac Ninh 1653 view

Rating : National monument Open door

Dinh Ha

In the system of 23 special national relic sites related to the Yen The uprising in the districts of Viet Yen, Yen Dung, Tan Yen and Yen The, Dinh Ha, Tan Trung commune has a very special role. This is where Luong Van Tam held the flag offering ceremony to officially launch the military uprising against the French colonialists. Dinh Ha formerly belonged to The Loc commune, Tong Yen Le, Yen The district, now belongs to Dinh Ha village, Tan Trung commune, Tan Yen district. Behind the communal house is Chua Ha. The layout is in the style of "Previous Gods, Later Buddhas". This relic is located on the slope of a low hill, surrounded by lush green ironwood forest. According to legend, the communal house and Ha pagoda were built during the Le - Nguyen dynasties of the 17th century. This is an important historical witness in the Yen The Uprising. Normally, after the January 15 and 16 Festival every year, the space around Dinh Ha becomes quiet. The solemn village communal house is immersed in the green of a hundred-year-old ironwood forest, but in recent years this relic has been vibrant with activities going back to its source. Many schools in Tan Yen use this place as a place to admit union members and team members. In 2021, Tan Yen invests in building the Temple of Luong Van Tam and Yen The insurgent soldiers, the above activities will increase significantly. According to legend, Ha Communal House and Pagoda were built during the Le - Nguyen dynasties of the 17th century. Dinh Ha, whose literal name is Tho Linh communal house, worships the tutelary god Saint Cao Son - Quy Minh. The architecture of the communal house in the past consisted of a vestibule with 3 compartments and 2 left. In the spacious courtyard of the communal house, there are left vu and right vu, each row of 5 compartments facing each other, followed by a large communal house with 5 compartments and 2 compartments and a harem with 3 compartments. The architecture of the trusses follows the cone, strip, seven, and husband-and-son styles. The decoration is delicately carved, following the themes of flowers, leaves, and dancing fairies. But this beautiful communal house no longer exists, because it was destroyed by the French colonialists in 1885. The Yen The Uprising, developed into the Yen The Uprising Movement and lasted nearly 30 years (1884 - 1913). From the event of Raising the Flag and launching the Yen The Uprising, the communal house and Ha Pagoda became a historical relic that opened the Yen The peasant uprising movement, marking a red mark in the history of fighting foreign invaders. of the Vietnamese people in the 19th - 20th centuries. With the great values ​​of Ha Pagoda communal house, on March 10, 1994, Ha Pagoda communal house relic was recognized as a cultural and historical relic by the Ministry of Culture and Sports. May 10, 2012 Ha Pagoda communal house relic is one of 23 points in the system: Yen The Uprising relic sites of Bac Giang province honored to be ranked by the State as a special National Monument and Among these 23 relics, Ha Pagoda Communal House is the key point. Over time, many items of Ha communal house have been degraded. In order to meet the needs of cultural, religious and belief activities of local people, in 2023 Tan Yen will implement the Ha communal house renovation and embellishment project with the contents of renovating the main communal house, harem and embellishing technical infrastructure with a total investment of nearly 8 billion VND from the state budget and other legally mobilized sources. The project was completed on the occasion of the 140th anniversary of the Yen The Uprising (1884- 2024). The middle of the great pavilion has parallel sentences: Life is from ancient times to death; Luu Thu Dan Tam shines brightly (A long time ago, I asked who wouldn't die? Let my heart shine brightly). More than 100 years ago, the people of Ha village borrowed the parallel sentences of their ancestors to talk about their cloth-shirted hero and now it seems even brighter. Dinh Ha will forever be remembered along with the name of cloth hero Luong Van Tam - the first leader of the Yen The Uprising. SOURCE: BAC GIANG DEPARTMENT OF CULTURE, SPORTS AND TOURISM CENTER FOR INFORMATION - TOURISM PROMOTION

Bac Ninh 1676 view

Rating : National monument Open door

Tu Giap Pagoda

Tan Yen district (also known as the ancient lower Yen The region) is a land with a rich historical and cultural tradition and a spiritual land with outstanding people. Those traditions are still preserved today in customs, in ancient communal houses and pagodas where the names of outstanding children of the historic rainbow homeland are associated with them, such as: Duong's grave site. Thi Gia, a good female general under the Trung Sisters; The communal house worships 18 dukes of the Duong family at Van Cau who helped the Mac dynasty expel the invaders; The cluster of communal house relics and Ha Pagoda worships Luong Van Van Ham, the first leader of the Yen The peasant uprising; Trung Temple worships Hoang Hoa Tham, the second leader in the Yen The peasant uprising; In particular, we must mention Tu Giap Pagoda, where many units were stationed and met during the resistance war against the French and Americans. Tu Giap Pagoda is located in Nha Nam town, a location considered as the northern gateway of Tan Yen district connecting three districts together: Tan Yen, Yen The district (Bac Giang province), Phu Binh district, Thai Nguyen province. Before 1945, this place belonged to Nha Nam canton, Yen The district, now belongs to Nha Nam town, Tan Yen district. Tu Giap Pagoda was built during the Le Dynasty in the style of grand domestic and foreign architecture, including 7 front halls, 5 middle halls, 3 triple treasures, 1 ancestral house, guest house, and nun's house. The system of statues in the pagoda is rich and complete, decorated purely in Vietnamese. The pagoda also has a bell weighing several hundred pounds. However, in 1885, to take revenge on the Yen The insurgents, the French colonialists frantically destroyed villages and pagodas to use wood to build their base. In 1886, the people of the four borders, including Nguon, Upper, Lower, and Bell, rebuilt the pagoda with the name Tu Giap because the four people joined hands to rebuild the pagoda. The new pagoda includes a front hall, a common house, a Buddha hall, an ancestral house, a monks' and nuns' house, a three-entrance gate with a bell tower, and spacious and orderly walls. In 1947, Tu Giap Pagoda was once again destroyed by the French colonialists when they swept through Nha Nam and attacked Yen The. At Tu Giap Pagoda, there was a clash between us and the enemy. The pagoda was severely damaged, leaving only the 7-compartment front hall, with bullet marks still on the pillars. Along with the flow of history, Tu Giap Pagoda and Nguon village of Nha Nam commune have experienced and "witnessed" many important historical events. This place converges essential traffic routes, can move towards the plains of Bac Giang, Bac Ninh and retreat to the mountainous areas of Thai Nguyen and Bac Kan. Therefore, Tu Giap Pagoda was chosen as one of the locations as an important revolutionary base of the Bac Giang Party Committee during the resistance war against the French colonialists. This is also the stationing and working place of the National Salvation Newspaper (March 1945), Bac Giang Postal Company (late 1945), Provincial Post Office and Ha Bac Police Company (now Bac Giang Provincial Police). In particular, Tu Giap Pagoda was the living and working place of the Area 12 Police from the end of 1946 to around April 1948. During the resistance war against the French, although it was attacked many times by the French colonialists, Tu Giap Pagoda was still a safe place for district, provincial and central agencies to choose as a place to open refresher courses, train and discuss plans. implementing the resolution to divide fields for people to increase production... During the resistance war against the US to save the country, Tu Giap Pagoda witnessed many farewell ceremonies for children who were going to join the army to fight on the southern front to contribute to the war. liberating the South and unifying the country. Through the ups and downs of history, Tu Giap Pagoda today is no longer the same, but only the front hall, middle pagoda building, and Tam Bao pagoda are made in the old style. In the pagoda, there are many Buddha statues made of lacquered wood and gilded with gold. Tu Giap Pagoda is not only a place for spiritual beliefs of the people in the area but also a place marked by revolutionary history. In particular, it is where the 6 things Uncle Ho taught the People's Public Security force were discovered. Here, comrade Hoang Mai - Director of Zone VII Police was honored to receive the letter from President Ho Chi Minh dated March 11, 1948, in which he especially kindly advised our police, Mr. peace of the people, serving for the people, knowing how to rely on the people to do everything will be done. In it, Uncle Ho emphasized the six qualities of a "revolutionary police officer", so this place is considered the origin of the Six Things Uncle Ho taught the People's Public Security. TOURISM SOURCE OF BAC GIANG PROVINCE

Bac Ninh 2077 view

Rating : National monument Open door

ICE CREAM Pagoda

Kem Pagoda, also known as Sung Nham Pagoda, located in Kem residential group, Nham Bien town, Yen Dung district (Bac Giang), is not only a center of religious and cultural activities, it was also a base for religious beliefs. revolutionary troops and guerrillas in many periods, including the Yen The insurgent army. Kem Pagoda - a special national historical relic has been carefully preserved, attracting a large number of visitors from all over to visit and worship at the pagoda. The campus of Kem Pagoda is spacious, with many ancient trees providing shade, creating a peaceful and sacred scene. From Truc Lam Phuong Hoang Zen Monastery, we drove the car on a newly renovated road about 1km long, heading straight to Kem Pagoda. On the side of the road are rows of lush green Bodhi trees. Comrade Le Thi Minh Hien, Deputy Director of the Center for Culture - Information and Sports of Yen Dung district said: "The renewed route facilitates the connection of spiritual tours between Vinh Nghiem Pagoda - Zen Monastery. Truc Lam Phuong Hoang - Kem Pagoda. This also opens up an opportunity to introduce and promote the cultural and historical value of Kem Pagoda - a place that has witnessed many ups and downs in the nation's history." In the Kem Pagoda campus, there are many old trees, green all year round. The land enjoys the blessings of nature, in winter there are high mountains blocking the Northeast wind, in summer the cool wind blows from the South, making the pagoda scene even more peaceful and sacred. According to recorded records, Kem Pagoda was built about 400 years ago, during the reign of King Le Anh Tong. The founder who built the pagoda was Ms. Hoang Thi Tue, following the Truc Lam Zen sect founded by Dieu Ngu Giac Hoang Tran Nhan Tong. The entire architectural work of Kem Pagoda was built in a plot of land with a total area of ​​nearly 2,000 m2. The entire pagoda includes: Three-entrance gate, tower garden, front hall, upper palace and ancestral house. It is known that the place where Kem Pagoda is located has a very special terrain, the left, right and back sides all lean against the Nham Bien mountain range, the face overlooks a flat field and a unique road leading to the pagoda. Therefore, this place is not only the center of cultural and religious activities, but also was chosen as the base of insurgents and revolutionary guerrillas during many periods of national liberation wars. In 1884, Nguyen Cao from Cach Bi village (Que Vo district, Bac Ninh province) and his insurgent army returned to Kem Pagoda to build a base to fight against the French colonialists. Visitors listen to an introduction to the unique cultural and historical features of Kem Pagoda. In particular, around 1906 - 1908, Hoang Hoa Tham and the Yen The insurgent army returned to camp right behind the temple garden. De Tham built ramparts, walls, houses, and military training, creating this place as a base to fight against the French. Currently, this place still retains traces of ramparts, mandarin house floors, mandarin wells, guard posts, flagpoles, ice buckets containing water for horses to drink and also a place to sharpen swords to fight the enemy... Behind the pagoda there is also a training ground for the De Tham insurgent army in the past. The land is about a few acres large and is located on a flat terrain, next to which a stream flows. It can be said that this location is very convenient for insurgents to practice. When there is an enemy, it is easy to quickly retreat up the mountain and escape to the romantic Thuong River right at the foot of Nham Bien mountain... Since the August Revolution in 1945, Nham Bien town became a guerrilla resistance area; Kem Pagoda became the local political and military center. Peace was restored, the pagoda was a meeting place, propagating the Party's policies and laws, and the State's laws. Thanks to its cultural, religious and revolutionary historical values, in 2012, Kem Pagoda was recognized by the Prime Minister as one of 23 special national historical sites associated with the Revolution. Yen The uprising. TOURISM SOURCE OF BAC GIANG PROVINCE

Bac Ninh 1848 view

Rating : Special national monument Open door

Doan family mausoleum

Doan family mausoleum in Van Trung commune is located about 12 km south of Bac Giang city center, from Bac Giang city follow the new National Highway 1A through Dinh Tram industrial park about 10 km, turn left along the road to Van Trung - About 2 km further from Truc Tay, turn left to Bai Xanh village, cross 45 m of hill road to reach Doan family mausoleum. Doan family mausoleum in Van Trung commune The Doan family's mausoleum is located on Hinh Nhan mountain, Bai Xanh mountain of Nham Bien range. Late Le Dynasty (18th century) Doan family mausoleum in Noi An village, Van Coc commune, Hoang Mai canton. From 1965 to present, the Doan family mausoleum is located in Van Trung commune, Viet Yen district, Bac Giang province. The mausoleum was built during the reign of King Le Trung Hung in the 18th century, during the reign of King Le Hien Tong, under the reign of Canh Hung (1740 - 1786). This is the resting place of Doan Cong Bao, also known as Doan Dang Dan, a mandarin during the Le Trung Hung period, who had many merits in serving the king and the country. The mausoleum area looks towards the southwest, in front is Hinh Nhan mountain, in the distance is the winding Cau River, on both left and right sides are the mountains of the majestic Nham Bien range. The mausoleum area was built in the ancient architectural style, along a rectangular vertical axis, the construction items are gradually higher from the inside out according to the slope of the mountainside, including surrounding walls, mausoleum gates, Open-air worship area, stone statues, human and animal statues, Tieu Dao Am. Statues of people and magical beasts at the Mausoleum gate Tieu Dao Am Currently, the project items are still complete, bearing ancient architectural and artistic features. The mausoleum gate is built in a domed architectural style, Tieu Dao Am has two roof floors, both built with ancient bricks from the Le Dynasty (18th century), all of which exude an ancient brown look to the mausoleum. The system of statues of Martial Artists, Servants and Hyenas is arranged in a symmetrical axis from the outside to the inside, creating a majestic and ancient look. Due to the erosion of time and war, the tiled floor of the mausoleum garden no longer exists, part of the corner of the mausoleum gate was damaged by French artillery shells and is cracked. The surrounding wall area currently has only about 10m of ancient laterite wall left, the rest is a rough stone wall. Some broken and cracked stone statues have been restored and mended. On the other hand, the Doan family mausoleum was built on Bai Xanh mountain, far from residential areas, so the care and promotion of the relic's value is limited. The tomb area still has many invasive weeds. The mausoleum was built in the open without a closed gate, and the walls surrounding the mausoleum were low, making it difficult to protect the artifacts and worship items inside the mausoleum. In fact, in 1980, thieves removed part of the laterite wall from the mausoleum, destroyed a number of statues, and took away Doan Dang Dan's portrait. In recent years, with the attention of the family, especially the direction of the local government, the Doan family mausoleum area has been carefully looked after, and the bushes and trees have been cleared cleanly. The broken statues have been mended, and the surrounding wall is built with rough stone. The Doan family is also planning to resurface the traditional brick floor of the inner temple area in the mausoleum grounds, and restore the portrait statue of Doan Dang Dan in Tieu Dao Am to return the landscape to its original value. stone. In order to protect the spiritual cultural work of Doan Family Mausoleum in Van Trung commune, on December 31, 2015, the Chairman of Bac Giang Provincial People's Committee issued Decision No. 2370, classifying Doan Family Mausoleum as a historical-cultural relic. This is a favorable condition for the monument to be protected and promote the cultural heritage values ​​left by our ancestors for today and the future. SOURCE ELECTRONIC INFORMATION PORTAL VIET YEN TOWN, BAC GIANG PROVINCE

Bac Ninh 1881 view

Rating : National monument Open door

Thuong Temple

Thuong Temple, also known as Thach Linh Than Tuong Temple. According to historical sources and Sino-Nom documents such as: Legend of Thuong Lat commune, Tien Lat canton, Viet Yen district, Bac Giang province; book Folk Tales of Quan Ho region - Ba Chua Kho; Bac Ninh's book of geographical balance; Bac Giang Geography book. Dictionary; Bac Ninh Province Local Journal through Han Nom documents: Thuong Temple has a long history of construction and was renovated and embellished during the Nguyen Dynasty (XIX-XX centuries) and later periods. The history of the formation of Thuong Temple is associated with the folk legend of Thach Linh Than Tuong. This is a God with special talent and strength, who performed many amazing feats to help King Hung Tao Vuong defeat the Man invaders. After winning the battle, Thach Tuong rode an elephant back to his birthplace in Tien Lat site, climbed Phuong Hoang mountain, the highest peak, then flew straight into the sky and disappeared. To commemorate his merits, the King ordered the local people and mandarins to return to the place of worship (ie the top of Phuong Hoang mountain) to perform the ceremony and then set up a temple to worship him at the top of Phuong Hoang mountain. Initially, the temple was built with a dome-style compartment, the building materials were all stone taken from Phuong Hoang Mountain, and inside the temple was an incense bowl. Over time, with its sacredness and mystery, the temple gradually became famous throughout the region. On the other hand, Thuong temple along with other relics in Bo Da mountain gate such as: Ao Mieu, Bo Da pagoda, Trung temple, Doc Cuoc temple, Ba Chua Kho temple... have formed a continuous complex of relics. , boldly reflects a historical period of struggle to protect national independence. Thuong Temple is located on Phuong Hoang mountain, Bo Da mountain range, Tien Son commune, Viet Yen district, now Viet Yen town. Bo Da Mountain is the common name for the entire mountain range in Tien Son commune. In the Bo Da mountain range, there are three large mountains, each with its own name. The highest is Phuong Hoang, with many rocks and dense pine trees. The second mountain is Ma Yen mountain and the third mountain is Kim Quy mountain. The mountains are undulating and the trees are lush all year round. Surrounding the Thuong Temple, there are many ancient green trees that give shade to the large mountains flanking them; There are six Tien Sa orders such as: White, Pronged, Empty, Tre, and Tra. There are also Con Coc Mountain, Chua Kham Mountain, Truc Lat Mountain, Elephant Mountain, Ban Co Tien Mountain... In front of Thuong Temple are fields and the Cau River surrounding and winding like a strip of silk. This is truly a spiritual place where mountains and waters meet in harmony. According to comments in Nguyen Huy Binh's article on the Legend of Thach Tuong Quan in relation to stone worship: “All combine into a very ideal geographical space. In that humanistic geographical environment, the legend of Thach Tuong Quan has quite clearly the characteristics and localization of the land." SOURCE: BAC GIANG DEPARTMENT OF CULTURE, SPORTS AND TOURISM CENTER FOR INFORMATION - TOURISM PROMOTION

Bac Ninh 1899 view

Rating : National monument Open door

PHUC LAM Pagoda

Phuc Lam Pagoda is an ancient pagoda built on a strip of spiritual land located about 500 meters from the residential area. This place used to be a dense forest with many species of ancient trees and rare herbs. The pagoda was built in the Chinh Hoa era during the reign of King Le Trung Hung (1681 - 1704). Legend has it that: The person who founded the pagoda was Patriarch Thien Phat of the Lam Te lineage, a monk in Bo Da's ancestral place, Tien Son commune, Viet Yen district, Bac Giang province. After the ancestors passed away, after many hundreds of years, the pagoda still had monks sent by Bo Da to take care of Buddhist work. In 1945, following the Party's call to carry out the "Scorched Earth Resistance War", the ancient Phuc Lam Pagoda turned into ash, leaving only a strip of desolate land. In 1954, peace was restored, Buddhists and local people worked together to rebuild the pagoda and several pedestals of Buddha statues to create a place to worship and believe in the Three Jewels. For about 50 years, the pagoda had no abbot, so the pagoda was seriously degraded. Buddhists and local people have repaired it many times, but it was only a temporary method. In 2002, the Elderly Association of Phuc Lam village came to meet monk Thich Thieu Huong, who at that time was the abbot at Hung Dao pagoda, Dao Ngan 1 village, Quang Chau commune, earnestly hoping that he would return to become abbot of Phuc Lam pagoda so that the people could Here, you can be close to the Dharma and teachings of Buddha and achieve peace and liberation right in the present life. After returning to become the abbot of Phuc Lam Pagoda, he saw that the living conditions of the pagoda were poor everywhere, and the road to the pagoda was narrow, so Venerable Thich Thieu Huong, along with the Buddhists and people in the village, asked The spirit of seeking Buddha's way and calming sentient beings that Buddha taught, determined to revive the spiritual area into the Buddhist Center of Viet Yen district. From 2004 - 2016, from the meritorious funds of Buddhists, the pagoda built the Three Jewels, the ancestral house, the guest house, the bell tower, the drum tower, the pagoda fence, the monk's house, the meeting room, and the Tam gate. Mandarins, lakes, statues of Avalokiteśvara Bodhisattva, tower gardens... with a budget of up to tens of billions of dong, all with the purpose of praying for world peace and peaceful people. Phuc Lam Pagoda has truly become the Buddhist Church Center of Viet Yen district. SOURCE: ELECTRONIC INFORMATION PORTAL OF VIET YEN TOWN, BAC GIANG PROVINCE

Bac Ninh 2067 view

Rating : National monument Open door

Temple Pond

Ao Mieu relic is located in the center of Ha Lat village, Tien Son commune, Viet Yen district (Bac Giang). This is one of the relics belonging to the special national relic site system of Bo Da Pagoda (Tien Son commune, Viet Yen district). Many people come to the Ao Mieu relic not only to pray for blessings, virtue, fortune, and fortune, but also to admire with their own eyes a unique artistic architectural work bestowed by nature and embellished through the table. hands of ancient artisans. The shrine worships Thach Linh god on a stone slab behind the great temple (in the Holy pond). Legend has it that God was born from stone According to the elders: There was a wealthy man named Nguyen Hoa and his wife Cao Thi Huyen living on a spacious plot of land. In the plot of land there was a pond, in the middle of the pond was a rock as big as a chessboard; Around the land there are many high rocky mountains, above there are pine trees, stone dragons, stone elephants, stone horses, stone turtles, and stone flags in the direction. Nguyen Hoa is over 60 years old, his wife is also over 50 years old and still doesn't have a child. He feels sad in his heart because he worships the incense burner and doesn't have anyone to worship him morning and night, so he only drinks for fun and often goes to the table. Rock in the middle of the pond to sit and play to relieve sadness. One day, as soon as I reached the stone table, I suddenly saw a flower snake more than 10 meters long, with colorful fins, crawling around on the stone table. When it saw someone, it slid into the water and disappeared. That night, there was heavy rain and strong winds, thunder rumbled, and there seemed to be people talking, laughing, and singing in the pond. Nguyen Hoa hid to watch, saw the stone slab in the pond covered with five-colored clouds, strange floating air, fairies in the sky singing, elegant music melodious... The next morning, January 10, Nguyen Hoa went out to see the clouds covering him. foggy, the sky and the earth are dark. Suddenly there was a thunderclap in the sky, a landslide, then the clouds dispersed on their own, the sky and earth were clear. The stone slab naturally shattered into three pieces, and a man appeared, with a dignified appearance, strong manners, and a large body. Sharp as the newly rising sun, face like a bright star illuminating the night, screams like thunder echoed throughout the heaven and water palace. Nguyen Hoa saw the strange-looking man, so he ran, hugged him, brought him home, raised him, and named him Thach Tuong... By the time he was 7 years old, Thach Tuong was more than 10 truong tall, enough to shake mountains and fill the sea. . At that time, the Man invader emerged, the king was worried, issued an edict inviting a meeting of officials, established a fast, and prayed to heaven and earth to help eliminate the enemy. After 21 days, suddenly dark clouds covered the mandrel, it was dark and gloomy, then wind, rain, thunder and lightning appeared. After a while, the sky cleared, the clouds stopped, the altar became clear, and we saw a white flag on the altar, the flag had the words: In heaven, God told the king Fighting the enemy was like wind and rain Find Bac Ha, Yen Viet origin Zhuan Hung Thach General won't lose! That day was the 10th day of the 8th month, the king ordered a mandarin and 12 human servants holding the Emperor's flag to go to Yen Viet land... Nguyen Hoa went out to see and saw a command flag with the name Thach Tuong entering the house to tell Thach General. Thach Tuong invited the messenger in and said: "Go back, my king, make me a stone elephant 10 meters high and give me the Emperor's flag, then the Man invaders will be at peace." The messenger paid his respects and returned to the court to report to the king... In the middle of August 13, the people set up a royal palace for the king to live in, now still called Ngu communal house... Thach Tuong replied: "The power to act in the musical palace, the title to the throne in heaven." , heaven sent me to help your majesty eliminate the barbarians, since you already have a position in heaven, why bother your majesty's robes..." Having finished speaking, Thach Tuong jumped on the elephant, holding a command flag in his hand, the military authority following behind thundered like flowing water. , the waterfall rang, straight ahead Going to Hung Hoa, Tuyen Quang, Cao Bang... one battle wiped out all the grasshoppers, and the world was once again at peace. After defeating the enemy, Thach Tuong returned to Tien Lat village and then climbed to the top of Phuong Hoang mountain (Bo Da mountain, Tien Son commune) and returned to heaven, that day was September 12. The people performed a performance, and the king sent hundreds of troops to come. At Thach Tuong Hoa's place in Tien Lat, a high rocky mountain area, to perform ceremonies, then ordered to set up a temple right at the place where he transformed for incense and smoke to worship. Ao Mieu, also known as Ha Temple, worships the Stone Gods: Thach Linh Than Tuong (Thach Tuong Quan) and Mau Da. The Ao Mieu relic area currently includes the following construction items: Temple gate, Thach Linh temple, Thach Long pond (Thanh Tri) and Mother House. The temple gate has just been restored and built simply. The yard is paved with square tiles, inside is placed an Elephant carved from green stone, shaped like the fighting elephant described in the Legend of Thach Linh. Surrounding the yard is a closed wall. In front there is a communal lake - a place where water gathers, creating an ecological landscape and a place where many folk games take place during festivals... The relic grounds are planted with many shady trees. Ha Binh Temple has a Nhat-shaped architectural structure that was newly restored and embellished in 1993. The Pre-Sacrificing Court is made up of 1 room and 2 wings. The roof architecture is in the style of a 2-storey, 8-curved roof, the ridge and the strip are built of bricks covered with mortar. The top of the roof is shaped like two dragons flanking the sun. The two ends of the pliers, the roof edge and the bend are embossed with a water wave pattern. The four heads of the sword are stylized in the shape of a dragon's head. In addition to the aesthetic element, it also creates serenity, bringing the element of yin and yang. On both sides of the gable wall, pillars are built with tetrahedral edges, and the top of the pillar is covered with four phoenixes. The lower part of the ear is shaped like a lantern, embossed with four sacred animals: Dragon, Ly, Turtle, and Phoenix. On both sides of the gable wall are statues of dancers standing guard at the door. SOURCE: ELECTRONIC INFORMATION PORTAL OF VIET YEN BAC GIANG TOWN

Bac Ninh 1947 view

Rating : National monument Open door

PHUC NGHIEM Pagoda

Referring to the Buddhist Center of ancient Vietnam (now in Thuan Thanh district, Bac Ninh), many people often think of places such as But Thap pagoda, Dau pagoda, Kinh Duong Vuong mausoleum, Sy Nhiep temple... , relics bearing the mark of Vietnamese spiritual culture. But there is still a place of meditation whose birth is associated with the "Luy Lau Buddha land", which is the To Pagoda in Man Xa village, Ha Man commune, Thuan Thanh district. Phuc Nghiem Pagoda is popularly known as Chan Pagoda, because the pagoda is located in Chan Lang village, Yen Son commune, Luc Nam district, Bac Giang province. Chan village's name is Khe Khau village, under the Le dynasty it belonged to Lan Son commune, Tri Yen district, Phuong Nhon district, Lang Giang district, Kinh Bac region. Khe Khau village has long been divided into 3 independent village units (Chan Lang, Chan Dong and Trai Cau), so Phuc Nghiem Pagoda has become a Buddhist religious building for all 3 villages. Every year, in February, on the 19th and 20th of the lunar calendar, the people of the 3 villages organize a pagoda festival that attracts a large number of Buddhist disciples and tourists from all over to visit the festival. Through surveying the relics, it is estimated that Phuc Nghiem Pagoda was built around the 14th - 15th centuries, that is, the end of the Tran Dynasty and the beginning of the Early Le Dynasty. Over five or six hundred years of history, the architectural work has gone through many restorations and repairs, so there have been many changes compared to the original style of knowledge. The architectural works that still exist today bear the architectural style of the Nguyen Dynasty with typical construction items such as: Three Jewels Court, Ancestor House, Monk's House, Ancient Tower... Direct survey of people's relics It is possible to predict relatively accurately the layout of the ancient pagoda of the early Le period. At that time (15th century), Phuc Nghiem Pagoda had a complete architectural layout in the style of "foreign domestic work", but because the two corridors and three entrance gates were destroyed by time, the current building still follows its layout. Department of Public Letters. The three-jewel building is built in the style of a "vase-shaped vase" in front with two bronze pillars covered with fruit. The Three Jewels are divided into two adjacent buildings, the Front Hall and the Buddha Hall, arranged in a mallet-shaped layout. The front hall consists of 7 ironwood houses, with 5 rows of pillars, a striped architectural structure, and simple carvings. Connected behind the front hall is the Buddha hall, 3 large spaces with the same architectural style but not carved but carefully smoothed and sharpened. In the front hall, there are a number of carved panels, with decorative motifs on the theme of four precious things, vividly reflecting the rich products of the homeland. On the gable of the Buddha hall, the ancients wrote four Chinese characters in the style of a book, with magical butterfly strokes "Boundless Wind and Moon" to praise the charming beauty of this monument. Everlasting with the three jewels, Phuc Nghiem pagoda also preserves the ancient brick tower system. This is the eternal resting place of the monks who practiced and passed away at the temple. Today, visiting Phuc Nghiem Pagoda, people can still clearly see the traces of two ancient architectural works that were damaged during the resistance war against the French. These are two corridors (where the Arhat statue is placed) and three gates. That vestige has helped today's generation to imagine the majestic scale of this monument. For a long time, Phuc Nghiem Pagoda has become a famous Buddhist center of the Truc Lam Zen sect in the lower Luc Nam district. Currently, the system of ancient statues, architectural works, and worship objects are still carefully preserved by the locality. In the Tam Bao and the ancestral house, there are over thirty ancient wooden statues of the Le - Nguyen dynasties that are very valuable. The stone stele system is lost, but the temple still retains a Tay Son bronze bell. The bell is about 100cm high (including handle), mouth circumference is 160cm. The bell handle is molded into the shape of a pair of dragons living together, the dragon's mouth spits out pearls, looking serious but gentle, not fierce like the dragons of the later Nguyen Dynasty. On the 4 segments of the bell are embossed with 4 Chinese characters, indicating the name of the bell: "Phuc Nghiem Tu Chung" (Phuc Nghiem pagoda bell). At the end of the article, there is a stray line indicating the time of casting this bell: "Eight years of the Canh Thinh dynasty, three moons, the first day of the sand, the first day of the third month of the 8th year of the Canh Thinh era (1800). create a large bell). This article engraves the meaning of bell casting, then goes on to record some of the groups and individuals who contributed to casting this bell. The bell text was composed by the monk who was the abbot of Phuc Nghiem Pagoda at that time. Finally, there is an 18-sentence long poem, written in a 4-word verse form praising the scenery of Phuc Nghiem Zen temple and the kindness and compassion of the compassionate Buddhas to bring peace to the country and people. Phuc Nghiem Pagoda is an ancient pagoda, once a place where many Buddhist scriptures were printed in the 18th and 19th centuries. Along with Chan village communal house and Noi communal house, Phuc Nghiem pagoda relics have contributed to beautifying and enriching the people. relics in the lower Luc Nam district. Furthermore, Phuc Nghiem Pagoda also preserves many ancient relics of the Le - Nguyen dynasties, so they need the attention and research and protection of the government and professional sectors./. SOURCE: BUDDHISM TODAY

Bac Ninh 2625 view

Rating : Provincial level relics Open door

VAN PHUC Pagoda

Van Phuc Pagoda, located in Trung Ban village, Dong Tho commune, Yen Phong district, Bac Ninh province, is a pagoda with a rich history and unique culture. This temple is not only a place of worship and spiritual practice for local people but also an important cultural and religious destination in the region. VAN PHUC Pagoda was a Vietnamese Buddhist center during the Ly Dynasty. The pagoda still retains a number of stone sculptures of the Ly Dynasty. In particular, in the Buddha hall, there is a statue of Buddha meditating on a lotus throne, 1.85m high, including a pedestal of 3m. This is a masterpiece of stone sculpture in our country. The pagoda worships the statue of Zen Master Chuyet Cong (1644). In particular, the pagoda has a 27m high stone statue of Great Buddha, weighing more than 3,000 tons, placed at a height of 108m, carved according to the prototype of the Ly Dynasty Buddha statue at the pagoda, which was unveiled on September 26, 2010. Van Phuc Pagoda was built a long time ago and has undergone many renovations. The temple's architecture is typical of Northern Vietnamese pagodas with curved tiled roofs, intricately carved wooden columns and solemnly decorated Buddha statues. The temple grounds have structures such as three gates, main hall, harem and other worship spaces, creating a solemn and pure space. Van Phuc Pagoda is a place of worship for Buddha, where local people come to pray, burn incense, and participate in Buddhist festivals such as Buddha's Birthday, Vu Lan and other religious holidays. The pagoda is not only a place of practice for monks but also a place to connect the community, helping people preserve and promote cultural values ​​and traditional beliefs. In addition, Van Phuc Pagoda also plays an important role in moral and spiritual education for the young generation, helping to preserve the cultural beauty of the Vietnamese people. With its green landscape and peaceful space, the pagoda is a destination that attracts tourists and Buddhists from all over. Van Phuc Pagoda stands out with its ancient space, rare Buddha statues and many relics of historical value. This pagoda is a testament to the cultural and religious development of the land of Yen Phong, Bac Ninh over many generations. The existence and development of Van Phuc Pagoda makes an important contribution to preserving the cultural and spiritual heritage of Bac Ninh province in particular and Vietnam in general. Van Phuc Pagoda is not only a historical relic but also a symbol of the spirit of harmony between humans and nature, between the spiritual life and daily life of the people here. SOURCE: VIETNAMESE GLOBAL Pagoda

Bac Ninh 2545 view

Rating : Provincial level relics Open door

NAM LUONG FAMILY

The story of the hundreds of years old communal house in Ngam Luong village, Lang Ngam commune, Gia Binh district, Bac Ninh province that we talk about below is an example to prove that. Ngam Luong village, Lang Ngam commune (formerly named Ngam Dien) is located adjacent to the Thien Thai mountain range, and is the meeting place of many transitional geo-cultural circuits. In the area, there is Duong River hugging the West and Northwest. Along with that is the ancient road route, now the Duong River dyke. That river route and ancient road form an East-West connection between the Thai Binh and Red River basins. Lang Ngam is also located on the western bank of the Luc Dau Giang area, where the high mountains and low hills in the North end; The place where the Thuong River, Cau River, and Luc Dau River converge, opening up the delta and down to the East Sea. Those river routes are important traffic arteries in transporting ancient Vietnamese residents along with the country's economic, historical and cultural elements back to Lang Ngam; And from here - thanks to these special bloodlines - it continues to spread out, integrating with the country in all fields. That has made Ngam Luong - Lang Ngam countryside - since ancient times - a place to both witness and directly contribute to the creation of many unique cultural histories of the homeland and the country. Located at the beginning of the village, looking to the Southeast, Ngam Luong village communal house is in a beautiful feng shui position. In front of the road is a lake with water, the village road curves around, and in the distance is fertile countryside. On both sides are villages and fields. Behind the communal house is a great dike and the Duong river like a strip of noise surrounding it. Perhaps the village and communal house are located by the river, but when the ancients built the communal house, they worshiped the three Water Gods as tutelary gods. The water gods are considered to be figures with a decisive role, directly influencing the thinking, daily life and production of agricultural residents who have grown wet rice since early times. Currently, their records in the locality have been lost for a long time, so it is unclear what their merits were. But in the pavilion, there are still Chinese characters recording their names: First Five Six Shows Improvising Linh Hon Than, Second Trung Thien heroically heroic and strategic Hon Than, and Third Chan Nhi Thong Rui Mat. attain godhood. Ngam Luong village communal house has quite a large scale, containing many unique values ​​​​of history, cultural beliefs and architecture - art. In particular, in the field of architecture and art, this is one of the last and outstanding representatives of Northern communal house sculpture art during the three golden centuries of folk culture. Because of that, the communal house was ranked as a Historical - Cultural relic by the People's Committee of Bac Ninh province in 2009. According to the chronology still recorded on the first sentence of the communal house in Ngam Luong village, the communal house was restored. created on a beautiful day in early summer in the year of Giap Than - Le Dynasty (around 1764). The overall construction at that time included: The communal house gate and the Tam Quan were built in the style of a 8-roof match stack, on both sides there were 2 dancers, elephants and painted four sacred animals. Inside are two Dance Strips, each side has 4 compartments. Next is the Great Court and the Harem. Over time and war, some works such as Tam Quan and Dai Vu of the relic site were demolished. In 1962, the wooden floor in Dai Dinh was also removed to make tables and chairs. Later, the villagers repaired the outer garden, built walls and gates, and redid the three gates; Gather enough remaining floorboards to fit the floor on one side of the house. Currently, when villages are gathered together, houses are spacious; The communal house, which was originally large and imposing compared to the people's houses in the past, is now somewhat less massive; But the spiritual value and historical and cultural value are multiplied over time. With the Ngam Luong communal house project, the architectural beauty over the centuries still exists through the ancient architectural structure that is still maintained. The great communal house consists of 3 compartments, 2 wings and 4 curved roofs, measuring 21m long and 11m wide, truly an architectural work with all the typical beauty of Northern village communal houses. The architecture of Ngam Luong village communal house has the same style as many Northern village communal houses. The system of ironwood columns, large and small, is solid, structured in the style of stacking beams and gong racks, with 6 rows of columns horizontally and 4 vertical rows. This sturdy column system lifts up the wide, tiled roof of the communal house, protecting the sacred inner space of the communal house, with many carved works of artistic value, imbued with the souls and emotions of the workers - Folk artists build communal houses. The main columns in the front and back horizontal rows of the three main halls all have column ears. That is the worker who sawed the top of the column into a wide frame, then brought the wooden slab down to spread out on both sides of the top of the column, below was the support arm, and on top was a dowel attached to support the upper beam. Thanks to this structure, the column ears are always in a stable position. It is these pillars that the craftsmen have turned into works of art with embossed techniques and rich themes, bringing the bustling breath of life. The rear palace is in the style of a mallet, consisting of 5 architectural compartments in the style of a row, surrounded by bricks, the axis is 11.5m long, 8m wide. Inside the Harem are arranged 3 thrones worshiping the tablets of the tutelary gods. In front are incense bowls, stands, candles, floating trays, altars... all placed on brick pedestals and square tables. Some of these artifacts date back to the Nguyen Dynasty, 19th century. In particular, the ancient communal house was bestowed with many titles by Vietnamese feudal dynasties. Over time, it was lost, and up to now, 7 ordinations are still preserved in the temple. The earliest religion was established in Canh Hung 28 (1767), the latest religion was established in Dong Khanh 2 (1886). Most of them acknowledged the merits of the village tutelary god for helping, eliminating disasters, and dispelling disasters for the people, so that the people could be prosperous and happy. SOURCE: LITERATURE AND ART ASSOCIATION OF BAC NINH PROVINCE

Bac Ninh 2439 view

Rating : Provincial level relics Open door

DAI BI Pagoda

Dai Bi Pagoda is located in hamlet 8, Ninh Giang village, Ninh Hiep commune, Gia Lam district, suburban Hanoi. The pagoda is also called Ninh Giang pagoda or Xom 8 pagoda. Dai Bi Pagoda was built very early. Based on written documents and relics left in the monument, it can be confirmed that the pagoda was built at least 400 years ago. According to the elders in the commune, the pagoda was burned on September 22, Mau Dan year, but soon after, local people joined in making merit with Mr. Ky, a native of the commune, who practiced here. Contribute to rebuilding the pagoda according to its old appearance. Perhaps the most recent was the restoration in 1939, which is still inscribed in Chinese characters on the upper palace: Emperor Bao Dai's reign was fourteen years old The fifth year of Ky Mao, five moons, twenty-six days of great prosperity and great auspiciousness. Translated as: The roof was topped off on the auspicious day of May 26, Ky Mao year, the 14th Bao Dai era (1939). Dai Bi Pagoda is not very large in scale; The entire floor plan is square, each side is 13.4m with an area of ​​about 200m2. The ancient craftsman cleverly built a pagoda that has all the architectural components of a typical pagoda including: Front hall, incense burner, upper hall and surrounding corridors, Patriarch's house, guest house, outbuilding. On the top of the Tien Duong roof, in the middle is a relief of the sun image, on both sides there is a relief of a phoenix and a pincer head is a relief of a dragon, on the two banks of the river is a relief of Nghe. These are reliefs symbolizing the mascots in the Four Sacred Treasures. The head of the knife is stylized in the form of a carp turning into a dragon, and all the tiles are covered with funny-nosed tiles. On the 4 pillars attached to the facade are 2 parallel sentences made of cement. The Upper Palace is the center of worship decoration, has a simple structure and shares the roof with the Tien Duong, which includes 25 round statues painted in red and gold, splendidly decorated with parallel parallelograms and flags. Close to the wall of the Upper Palace, there are 4 stone relief statues of the Hau and a gable wall on the right are typical works of art of the 17th century. Through many ups and downs and changes of time, especially the fire, the relics have suffered a lot of loss. Currently, the pagoda still retains precious relics made of stone and bronze including: 5 relief stone queen statues, 6 small stone stele, 1 heavenly stone pillar (1691), some earthen statues, 1 bronze bell. 75cm high, 50cm diameter, 25cm handle, 4 sides with the words "Dai Bi Tu Chung", the era name "Canh Thinh Royal Dynasty" (1800); 3 horizontal paintings and 7 parallel sentences. Every year the people still maintain the festival at the temple on the 5th, 6th, and 7th days of the second lunar month. Dai Bi Pagoda was ranked an architectural and artistic relic by the Ministry of Culture and Information in 1997./. SOURCE: HANOI PEOPLE ONLINE MAGAZINE - SPEECH AGENCY OF HANOI LITERATURE AND ART ASSOCIATION ASSOCIATION

Bac Ninh 2520 view

Rating : Provincial level relics Open door

XA TEMPLE

Xa Temple is located on the south bank of Cau River, near Xa junction, which is the confluence of two ancient rivers Ca Lo and Cau River (also known as Nhu Nguyet River) flowing into Luc Dau River (Hai Duong province). Xa Temple, Xa Doai village, Tam Giang commune (Yen Phong district, Bac Ninh) worships two generals Truong Hong and Truong Hat. The two were siblings and talented generals of Trieu Quang Phuc in the resistance war against the invaders of the Luong Dynasty. Nearly a thousand years ago, in the 11th century, Lieutenant Ly Thuong Kiet built the Nhu Nguyet river defense line here during the second resistance war against the Song Dynasty, leading to a famous victory over the Song invaders in October 1077. Talking about the history of the temple, Mr. Vu Cong Tuong (82 years old, from Xa Doai village, head of Xa Temple) said: Xa Temple worships Saint Tam Giang - the brothers Truong Hong and Truong Hat, who are famous generals of the temple. Trieu Quang Phuc was credited with fighting the Liang invaders in the 6th century. The sacred temple also dates from the 6th century, after their death. The legend of Saint Tam Giang says that, in the past, in Van Mau village (Kinh Bac region) there was a girl named Phung Tu Nhan. At the age of 18, Tu Nhan dreamed that the Dragon god descended from the sky and entwined herself on the Luc Dau River. After that, she was 14 months pregnant and gave birth to a bundle of 5 children: 4 boys and 1 girl. Because she was a child given by heaven, she took the Jade Emperor's surname Truong and gave it to her four sons, Truong Hong, Truong Hat, Truong Lung, Truong Lay, and her daughter, Truong Dam Nuong. Some time later, Heaven sent La Tien Ong to earth to teach literature and martial arts to Tu Nhan's five children at Trang Hoc beach near Co Trach's house. The five brothers, all skilled in literature and martial arts, grew up responding to Trieu Viet Vuong's call to become generals to fight the Luong invaders in Da Trach lagoon and win a great victory. Truong Hong and Truong Hat were appointed talented generals of Trieu Quang Phuc. When Trieu Quang Phuc ascended the throne (other names are Trieu Viet Vuong, Da Trach Vuong), Ly Phat Tu led his army to fight back but could not win, so he used the trick of marrying his son, causing Trieu Viet Vuong to fall for the trick and be defeated. When Ly Phat Tu won the throne, knowing that Truong Hong and Truong Hat were talented generals, he invited them to become mandarins. But with your loyalty, you decided not to worship two kings. Knowing that he could not be subdued, Ly Phat Tu ordered them to be arrested everywhere. They knew they couldn't escape so they committed suicide in the Cau River to maintain their loyalty to the king. Also according to legend, the Jade Emperor felt compassion and ordained Truong Hong and Truong Hat as River Gods. Since then, the people of 372 villages along the Cau River, Thuong River, Ca Lo River and the places where the two men were stationed to fight the enemy all mourned and built temples to worship them as Gods. The Ngo, Dinh, Le, and Ly dynasties were later blessed by Yin to keep their territories in peace, so they all honored the Truong cousins ​​as Saint Tam Giang - great kings and superior gods. According to history books, Xa Temple and Saint Tam Giang are also associated with the birth of the poem "Nam Quoc Son Ha" by Ly Thuong Kiet - our country's first declaration of independence. Talking about the legend of the story of the poem Than, Mr. Vu Cong Tuong said: According to the elders of Xa Doai village, one night in October 1077, at the sacred temple on the Cau River battlefield against the Tong and Ly Thuong invaders. Kiet went to the temple to pray for yin and yang to support the resistance war against foreign invaders. After the ceremony, the sky suddenly lit up like daytime, two clouds appeared in the air, one white, one red. Above were two brave soldiers, one riding a white horse, the other riding a pink horse, riding the clouds among the four armies cheering their horses. hi. Legend has it that he was Mr. Truong Hong and Truong Hat who appeared to bless our army and people in fighting the Song invaders. Tu Vu Cong Tuong was moved and respectfully said: "You are "born as a form, death as a spirit"; That means living as a general, transforming into a god, and still carrying out the noble mission of serving the country." At the same time, in the air or in Ly Thuong Kiet's mind, the poem "Nam Quoc Son Ha" suddenly echoed: Nam Quoc Son Ha Nam Emperor's residence/ Absolutely destined to be in the book of heaven/ Like a rebellious river invading/ Nhu "The king of the South lives in the rivers and mountains of the country. The fate is clear in the book of heaven. Why do the invaders invade? They will be beaten to a pulp." This is the reason why the poem is called Divine poetry. When the poem was read by Ly Thuong Kiet, it resounded loudly in the area, causing the Song invaders to panic and run away, trampling each other to death. Together with the strategic ingenuity of our army and people, the resistance war against the Song Dynasty was completely victorious, destroying 300,000 Song troops, corpses piled up into mountains, blood flowed into rivers. After nearly 1,000 years since that divine victory, currently in Tam Giang commune there are still places such as Bai Xac, Bo Xac, and Dong Xa which are traces of the disastrous defeat of the enemy in the past. Every year, Xa Temple has two major festivals on the 5th of the first lunar month and the 9th and 10th of the fourth month of the lunar calendar. The Xa Temple Festival is the largest in the region. In addition to the solemn rituals of palanquin procession and water procession, there is also the custom of swimming competitions. Legend has it that the swimming custom of Xa Temple is associated with Ly Thuong Kiet mobilizing local militia to participate in fighting the Tong invaders on Nhu Nguyet River. Xa Temple today is located on a mound of land nearly 10 hectares wide, less than a kilometer from Xa junction - the confluence of two ancient rivers. The temple is currently being restored but its architecture still retains its ancient features that have existed for thousands of years. In front of the yard there is still an ancient stone stele engraved with the divine poem "Nam Quoc Son Ha" on both sides in Chinese and national language, outside is a four-pillar gate with a time-tinged relief. In addition to the system of precious antiques still kept as worship statues, in the harem of Xa temple there is also a Tao Quan altar with statues of "two men and one woman". In early spring, tourists and people who come to the Xa Temple ceremony to pray for the country of Thai Dan An do not forget to light incense at the Tao Quan altar with the wish to pray for the family to always be warm, hoping for happiness and peace for their family and for everyone. home. With a history of nearly 1,500 years, in 1988, Xa Temple was ranked by the Ministry of Culture as a National Historical Site. Source: Electronic newspaper of the Central Vietnam Farmers' Union

Bac Ninh 2562 view

Rating : National Monument Open door

NGO GIA TU TEMPLE

Located in Tam Son neighborhood, Tam Son ward, Tu Son city, Comrade Ngo Gia Tu Memorial House is the place of birth, upbringing and revolutionary activities of Comrade Ngo Gia Tu - the senior leader. of the Party, an outstanding son of his hometown Bac Ninh. Today, Comrade Ngo Gia Tu's Memorial House has become a red address for educating revolutionary traditions for the young generation and people of all walks of life. The entire house was built by Comrade Ngo Gia Tu's father, Mr. Ngo. Gia Du built it in the first year of Khai Dinh (ie 1916) including the following projects: main house, electric house, horizontal house, school house, farming equipment house and lush green garden all year round. The entrance to the Memorial House still retains the original architectural style. On both sides of the gate, there are a couple of parallel sentences written by comrade Ngo Gia Tu himself in the national language: "The independent gate is free to open and close/The house is free to come in and out", expressing the comrade's independent and free will. Ngo Gia Tu, but it also means that this is a gathering place for like-minded people with ambitions to fight for a free and independent country. On the roof of the gate, the words "The door is like a market" are embossed, expressing the great ambition of the youth of Comrade Ngo Gia Tu's generation. The 3-room classroom was formerly the family's guest house. In 1926, comrade Ngo Gia Tu moved Truong Buoi back to his hometown, using the guest house as a place to teach classes and spread the revolution. The statue of comrade Ngo Gia Tu is solemnly placed in the middle room. The main house is the residence of comrade Ngo Gia Tu's family. The middle space worships his father and comrade Ngo Gia Tu. Above is a horizontal painting left by comrade Ngo Gia Tu's father, which includes the four words "Di Khuyen Yen Duc" with the meaning of reminding future generations to always look towards their ancestral roots and help the country wisely. , help at home. To the left of the main house is the 3-compartment Palace, which is the family's place to worship Saint Tran, but here on September 29, 1928, the Northern Vietnam Revolutionary Youth Association held a conference and proposed the theme "Proletarianization" campaign, contributing to bringing the Vietnamese revolution to a new level. In the Palace, many portraits of senior leaders of the Party and artifacts are preserved. Opposite the Dien house is the horizontal house, which is the living area and contains the family's belongings. During her leisure days, comrade Ngo Gia Tu's mother often worked hard at this loom to weave cloth to contribute to raising her children's education. In particular, this house was used by comrades to print secret documents for revolutionary activities. To the right of Hoc's house is a row of farming tools, consisting of 5 rooms. This is where the daily farming tools of comrade Ngo Gia Tu's family are stored. The stele commemorating the place where comrade Ngo Gia Tu lived during his youth and participated in revolutionary activities in the years 1926 - 1928 is located in the relic grounds. The Memorial House of Comrade Ngo Gia Tu has been recognized by the State as a National Historical - Cultural Relic according to Decision No. 100-VH/QH dated January 21, 1989. SOURCE: BAC NINH ELECTRONIC INFORMATION PORTAL

Bac Ninh 2796 view

Rating : National Monument Open door

ADHESIVE Pagoda

Located about 20km east of Hanoi city center, Keo Pagoda has a history of nearly 1,000 years and is located on an area of ​​nearly 10,000 square meters, in Kim Son commune, Gia Lam district. The pagoda also has another name "Bao An Trung Nghiem pagoda" and is a place to worship Mrs. Keo - one of the Four Great Buddha Dharmas of ancient times. Introducing Keo Pagoda, Mr. Hoang Dinh Phong - the caretaker and incense burner at the pagoda - explained: According to legend, the name Keo means that the two villages Giao Tu and Giao Tat are tightly bonded together like paint glue. There are two traditional professions here: cooking glue from buffalo skin and making scallops for gilding. Legend has it that in the past, the people here carved four statues of Phap Van, Phap Vu, Phap Loi, and Phap Dien. After finishing, there was a piece of wood left over to carve a smaller statue of Phap Van. The statues were brought to pagodas in Luy Lau area and named after the village: Ba Dau, Ba Dau, Ba Tuong, Ba Dan. The smallest statue of Phap Van was taken by Keo village to worship at Keo Pagoda, then called the statue of Ba Keo. Over nearly 1,000 years of history, Keo Pagoda currently retains a total of 47 Buddha statues, including the statue of Ba Keo. Glue is a unique work of art. The pagoda still retains 6 stone steles, 1 ancient bell cast during the Canh Thinh period (1794), 1 bronze, 8 ordinations, many worship objects and some antiques in the style of the Le Dynasty. The pagoda has been restored many times so it has many mixed styles. The three gates were built of bricks in the style of Nguyen Dynasty's ritual gates, and the upper palace is a 4-roof house. The harem and the Three Jewels Tower are in the style of the Nguyen Dynasty. Notably, the statue of Avalokiteshvara with three hands and three eyes is a product of the 17th century. One of the typical cultural features associated with Keo Pagoda for generations is the Keo Village Traditional Festival. Talking about his hometown's festivals, Mr. Hoang Dinh Phong repeated the folk song: "The 6th is the Keo festival, the 7th is the Kham festival, the 8th is the Dau festival, the 9th returns to the Giong festival." According to Mr. Hoang Dinh Phong, Keo village traditional festival takes place on the 6th day of the 4th lunar month every year. In particular, at the Keo Village Festival, in addition to ritual activities according to religious rituals, there is also a procession of President Ho Chi Minh's image and a procession of Buddha with many ancient rituals, customs and practices imbued with the colors of the soul. spirit, attracting a large number of local people and tourists from all over to participate. With its long-standing cultural and historical values, Keo Pagoda has been recognized as a national historical architectural and artistic relic since 1993. Mr. Bui Trong The, Head of the Management Board of Keo Pagoda Relics said: "The people of Keo village in particular and Kim Son commune in general are very proud of the history and culture of Keo Pagoda. During the resistance war against the French, the pagoda was severely damaged and then majorly restored in 1995. Through Over time, the temple has many degraded items. We have sent requests to leaders at all levels to rebuild the altar, bell tower and repair the upper hall and Buddha statue corridor The above proposals will soon be approved to contribute to preserving and promoting this nearly thousand-year-old historical relic." SOURCE: PEOPLE'S ARMY

Bac Ninh 2657 view

Rating : National Monument Open door

VONG NGUYET TEMPLE

Vong Nguyet Temple is located at the end of Vong Nguyet village (Tam Giang commune, Yen Phong district), near Cau River dyke. The temple was built a long time ago with many buildings, however due to the request of the resistance war in 1948, the Ha temple and Trung temple were destroyed. Currently, only the Upper Temple remains, which was restored in 2004. The temple is located in the east of the village, with a spacious landscape. The current architectural work of Vong Nguyet Temple is in the artistic style of the Nguyen Dynasty. The temple's architectural plan is in the style of First, First, Dinh, and is a combination of two Pre-Temple buildings with 3 compartments and 2 wings and 1-room Hau Palace. Both the Temple's Pre-Temple and the Rear Palace are structured in the style of 4 roofs, 4 curved blades, the roof edge and strip edge are decorated with lemon flowers, evoking gentle serenity. On the roof are embossed a pair of dragons flanking the moon... The temple frame is made of ironwood and is linked by the branches according to the pattern of "the higher the husband, the higher the gong, the lower the price". On some of the statues, the ends and money lines are carved with patterns of dragons, clouds, and string flowers. According to recorded documents, Vong Nguyet temple worships Princess Ly Nguyet Sinh (King Ly's daughter) and Pho Ma Do Uy. They sacrificed heroically for the country, and the people here built an incense temple to worship them. At the temple, there are still many valuable typical artifacts such as: the ordinations given by the Le and Nguyen kings to the two gods; The 1642 miraculous stele, altar throne, tablets, horizontal scrolls, scrolls, couplets, and sentences date back to the Nguyen Dynasty; The altar crane, the altar palanquin, the bowl-shaped super knife set dating back to the 20th century... These ancient documents are both evidence of the temple in history and a valuable cultural heritage of the homeland. In addition, Vong Nguyet Temple also has a stele house to worship heroic martyrs and honor local talents. The main festival at Vong Nguyet village temple is held on February 9 (lunar calendar) every year. There are also other special days such as: The 4th day of the 4th lunar month (Ky Phuc festival); June 8 (Mrs. Ly Nguyet Sinh's day of observance); September 12 (the death anniversary of Saint Tam Giang)… Vong Nguyet Temple was ranked as a historical relic by the Ministry of Culture and Sports according to Decision No. 28-VH/QD dated January 18, 1988. SOURCE: BAC NINH ELECTRONIC INFORMATION PORTAL

Bac Ninh 2797 view

Rating : National Monument Open door

BA Chua Kho Temple

(BNP) – Ba Chua Kho Temple is located halfway up Kho Mountain, in Co Me area, Vu Ninh ward (Bac Ninh city). The temple was established during the Ly dynasty. It was initially a small temple. During the Le dynasty, it was restored and expanded into a large temple area. Up to now, Ba Chua Kho Temple has been ranked by the State as a National Historical - Cultural relic and recognized by Bac Ninh province as one of the province's 14 tourist destinations. Ba Chua Kho Temple is the center of cultural and religious activities of the Northern people. The temple is the place to organize traditional festivals of local people on January 12 - 15, with many rituals and folk games imbued with national cultural identity. If given the opportunity, Bac Ninh people often invite friends and tourists from everywhere to visit and make a pilgrimage to Ba Chua Kho Temple once. SOURCE: BAC NINH ELECTRONIC INFORMATION PORTAL

Bac Ninh 2973 view

Rating : National Monument Open door

Outstanding relic site